I.
You will also, on occasion– leave off where you first began. Like a watch's weaker hand, we illustrate uncertainty...
II.
Whether storming, or escaping, any home we know not how to address: a vacant museum, the cusp of an hourglass
III.
An unspoken natural law: Only in censored footage do we note silence, do we note polarity. (The color of musing.
IV.
The chroma of hurry.) On the fifth and seventh floor: the tenants: pouring into boxes possessions they don't want
V.
To be remembered for. If one is just as protective of his compass as the other, his knife: we say the two harmonize.
VI.
At any given crisis: any given prophet may unknowingly discard the ability to reconsider... "Often, before the first
VII.
Raindrops explode into hypnotic clockwork; after love has been made, and made, and couldn't hold itself together–"
I.
The narrator whispered, I forget which key you said never to use. An estimated eighty letters were lost in the move...
A sound laboratory designed to minimize sound reflections as well as external noise through physical isolation of the structure; elaborate filters in the ventilating ducts; and thick masonry walls which function to simulate the acoustical conditions of unobstructed, free space.
Monday, September 14, 2009
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